Old School was Todd Phillips’ third movie about college students and people who want to be college students forever. It’s the movie that gave us Mitch-a-Palooza, Will Ferrell’s butt and that now famous line, “You’re my boy, Blue!” From actors doing real stunts themselves to Steven Spielberg having a hand in a critical casting choice, there was a lot going on during the making of the movie where practically everyone on set got high with Snoop Dogg...
During the scene in which Frank (Ferrell), Mitch (Luke Wilson), and Bernard (Vince Vaughn) drive around in a black van kidnapping potential frat boys, Spanish (played by Rick Gonzales) gets tackled right into a fountain. Although it was a double and not Gonzales getting speared, Ferrell performed that SportCenter-worthy tackle for real.
In the movie’s commentary (that you can access online), Phillips said that the scene where Wilson’s character gives a toast — only to go on a tangent about walking in on his girlfriend about to have an orgy — was Vaughn’s idea. Phillips and Scot Armstrong immediately wrote it into the script.
On the commentary track, Phillips says that he still believes it was the wrong choice but that Andy Dick insisted on wearing that ridiculous wig for his scene. In fact, he refused to come out of his trailer and film without it. At the premiere, Dick apparently had the gall to tell Phillips, “Why did you let me wear that wig? You should’ve talked me out of it!”
Apart from Old School, Theodore Shapiro has done the film scores for State and Main, Office Christmas Party, Fun with Dick and Jane, Idiocracy, Wet Hot American Summer, Jennifer’s Body and Tropic Thunder — to name a few. He also won an Emmy for his work on Severance.
According to the guys, Vaughn had to keep the 300 extras busy and going because there were times when Snoop Dogg just wouldn’t come out of his trailer. To this day, no one knows the reason why.
Armstrong and Phillips said that they really wanted to get Dylan to perform at the big party bash. “We got close to Dylan’s people,” Phillips told Playboy. “It was actually discussed for a minute, and then it quickly went away. It was Vince mixing the old school with the new school, no pun intended. Snoop was going to do a hip-hop version with Dylan (of a Dylan song). It’s one of those shoot-for-the-stars things that doesn’t come together.”
During the infamous hazing scene that had the pledges standing on a rooftop with cinder blocks strapped to their unmentionables, Paltrow (who was dating Wilson at the time) decided to sit in and watch the shoot. Patrick J. Adams (who played Patch), recalled how they all had to wear “horrible cock socks” for the scene, and “of course, out comes Gwyneth Paltrow.” The guys had to go on shooting while Paltrow watched them being butt-naked out in the cold.
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Phillips has explained: “Ellen had a little part in Catch Me If You Can, which wasn’t out yet, but Spielberg had just finished shooting. And he called me, and he was like, ‘I think this girl is really special. I think you would dig her for the role of Nicole.’ And I was like, ‘Yes, sir!’ That might be the only time in my career where you get a call like that from somebody like him, and they’re like, ‘Hey, you want to keep an eye on this girl.’”
Apparently, there was a 24-hour gym on the street where they filmed Ferrell’s nude run. “I was rehearsing in a robe, and all these people are in the gym, watching me,” Ferrell told SPIN. “I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe, and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”
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Phillips said he just cast her off of Rushmore to play student Megan. She didn’t come in to read for the part or anything.
At the time, Vaughn was doing smaller, dramatic roles (Jurassic Park: The Lost World, Clay Pigeons, Domestic Disturbance), and the studio didn’t think he would work. As Vaughn told Variety, “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me; I think he even told them to watch me on Letterman to see that I could be funny.” Phillips pushed so hard since he wrote the role with Vaughn specifically in mind.
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Bushnell Avenue is the same street where the McFlys lived in Back to the Future.
The actor (who would later go on to star in Suits) said that, at first, they didn’t want him to do it because he was just a background actor. However, no one else knew how to play the guitar, so they reluctantly gave him the gig. “I was just petrified, and you can see it on my face in the film,” he explained in Playboy’s oral history of the movie. “And of course, take one, and before Will starts to even sing, I jack it and do the wrong note and screw it up, and they continue with it and finish the take. And Todd just walks across the cemetery, comes up to Will, gives him some notes, laughs with him. Goes over to Vince, gives him notes, laughs with him. And then Todd walks up to me and goes, ‘Uh, just don’t f**k it up.’ I was like, ‘Great, good note. Good notes.’ And after that, I just did everything in my power to not fuck it up.”
When Phillips was filming Road Trip, Breckin Meyer took him out one night to see The Dan Band in Los Angeles. Phillips was already looking for a wedding band for the film and asked them to do it right then and there.
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Most would know “The Wolf Pack” as the other group of irresponsible guys in Phillips’ movie, The Hangover. However, it turns out that Vaughn, Wilson and Ferrell were the originals. As Vaughn told the BBC, “We had a lot of fun, and we were always joking around with each other. We call ourselves ‘The Wolf Pack’ because we’d always turn on each other and make fun of each other. It was never safe who was getting picked on because five minutes later, we would turn on someone else.”
While he’s done many comedy films, Mark Irwin’s horror slate is pretty impressive as well. He’s done the cinematography for Scream, Videodrome, The Fly and the 1980s remake of The Blob, to name a few. He had good partnerships with both David Cronenberg and Wes Craven, collaborating with them on multiple occasions.
After doing Road Trip, Phillips was directing a couple of ESPN commercials when advertising executive Court Crandall approached him with a movie idea about a bunch of older guys starting their own fraternity. Crandall called it Frat Men, and Phillips asked him to write up a script. Phillips and Armstrong rewrote much of it, and there has been some dispute about the appropriate credits, but Crandall is at least credited under “story by.”
As Crandall put it, “To be honest, I totally think I should have gotten a screenplay credit. People all tried to take as much ownership as they can — some of that surprised me a little bit, so I just left it alone.”
According to both Perrey Reeves (Frank’s wife, Marissa) and Gregory Alan Williams (the counselor), it was the hardest thing not to laugh at Ferrell improvising his way through the scene. Williams said that Ferrell kept adding new stuff that made everyone crack up, and Reeves admitted that she was biting the inside of her mouth to keep from laughing out loud (even though she did anyway).
After shooting the script, the filmmakers realized they needed a different ending. They rewrote the last act and added the Olympics stuff, and everyone had to come back for reshoots. Actor Jesse Heiman (who played Budnick) said that he was out-of-town on a family vacation, and they had to hire someone who looked like him to stand in on certain days. Meanwhile, Vaughn had to wear a wig because he’d already gotten himself a haircut.
As a bonus edition on the DVD, Ferrell plays James Lipton and interviews Phillips, Wilson, Vaughn and himself — or, as he puts it, the “four deities.”